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Measures: < 20
Unique Accidentals: 3-4
Unique Chords: 7-10
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Baroque
Prelude No. 2 in C Major, BWV 939
Fake Your Death
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 10 4 5 100%
Bass 13 1 1 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 10 4 5 100%
Bass 13 1 1 4 100%
 
BWV248N6 "Und sie gebar ihren ersten Sohn”
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 9 3 5 100%
Bass 9 0 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 9 3 5 100%
Bass 9 0 2 3 100%
Bassoon Bass 9 0 2 3 100%
Evangelista 16 0 4 3 83%
 
HWV8a0n4 - "Ma Terpsicore snella, dov'è?" recitativo secco
edward.maurath
0:36 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 10 0 3 3 100%
Harp Treble 12 7 4 3 56%
Bass 7 0 1 3 56%
Harpsichord Treble 12 7 5 1 56%
Bass 5 0 2 2 56%
Soprano as
Apollo		 5 0 1 4 56%
Soprano
as Erato		 6 0 1 3 56%
 
HWV8A0N13 - La speme, e cura (Erato)
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 12 7 4 3 100%
Bass 7 1 1 2 100%
Erato 7 0 2 3 100%
Violoncello Bass 7 1 1 2 100%
 
HWV1N17vEJM - "Nein, Osman muß, was er versprochen"
edward.maurath
0:17 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Harpsichord Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Organo Treble 11 7 3 2 83%
Bass 12 6 3 2 100%
Consalvo Bass 12 0 2 4 100%
Continuo Bass 6 0 2 2 100%
 
HWV19N9 - Sinfonia in g minor
edward.maurath
1:00 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 13 7 3 3 89%
Bass 16 2 2 5 100%
Bassoon Continuo Bass 16 0 2 5 100%
Contrabass Continuo Bass 16 0 2 5 100%
Viola 12 0 1 5 100%
Violoncello Continuo Bass 16 0 2 5 100%
Vln
1		 Treble 14 0 3 8 100%
Vln
2		 Treble 13 0 3 7 100%
Oboe Treble 19 0 5 8 94%
 
HWV8A0N15 - La gelosia, cieco il furor (Apollo) recitativo secco
edward.maurath
0:20 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 8 3 2 100%
Bass 6 0 1 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 12 8 3 2 100%
Bass 6 0 1 2 100%
Apollo 6 0 2 4 100%
Violoncello Bass 6 0 1 2 100%
 
HWV56N31 - He was cut off out of the land of the living
edward.maurath
0:18 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 4 0 1 3 100%
BC
RH		 Treble 10 7 4 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC
LH		 Bass 4 0 1 3 100%
BC
RH		 Treble 10 7 4 3 100%
Cello Continuo Bass 4 0 1 3 100%
Contrabass Bass 4 0 1 3 100%
Tenor Treble 8 0 4 3 100%
Viola 4 0 1 3 100%
Violoncellos Bass 4 0 1 3 100%
Vln
I		 Treble 5 0 2 4 100%
Vln
II		 Treble 5 0 3 3 100%
 
HWV56N19Y1741 - Soprano - Then shall the eyes of the blind be opened
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 7 0 2 4 100%
HPSI
LH		 Bass 13 10 4 4 100%
Hpsi
RH		 Treble 12 10 3 4 100%
Soprano 10 0 4 5 100%
 
HWV56N19Y1742 - Messiah - Alto - Then shall the eyes of the blind be opened (1742)
edward.maurath
0:26 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto 10 0 4 5 100%
Cello Bass 7 0 2 4 100%
Contrabass Bass 7 0 2 4 100%
HPSI
LH		 Bass 10 8 3 4 100%
Hpsi
RH		 Treble 11 9 4 4 100%
 
Sinfonia in E Flat Major, from "Il Pastor Fido," HWV 8
edward.maurath
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 17 18 6 4 100%
Bass 18 9 4 5 100%
Contrabassi (Continuo) Bass 15 0 3 5 100%
Viola 11 0 2 5 100%
Violins I



 Treble 17 0 3 5 100%
Violins II



 Treble 14 0 1 4 100%
Violoncelli (Continuo) Bass 16 0 3 5 100%
Violoncello (Continuo) Bass 16 0 3 5 100%